CRESPI, Giuseppe Maria
Italian Baroque Era Painter, 1665-1747 Painter, draughtsman and printmaker. His religious and mythological works are distinguished by a free brushstroke and a painterly manner. He also painted spirited genre scenes, which by their quality, content and quantity distinguish him as one of the first Italian painters of high standing to devote serious attention to the depiction of contemporary life. Such paintings as Woman Laundering (1700-05; St Petersburg, Hermitage) or Woman Washing Dishes (1720-25; Florence, Uffizi) offer straightforward glimpses of domestic chores in images that are startlingly novel for the period and look forward to the art of Jean-Simeon Chardin, Jean-Francois Millet and Honore Daumier.
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CRESPI, Giuseppe Maria The Flea (mk08) oil painting


The Flea (mk08)
c.1707-1709 Oil on copper, 46x34cm Florence,Galleria degli Uffizi
Painting ID::  21556 		CRESPI, Giuseppe Maria
The Flea (mk08)
c.1707-1709 Oil on copper, 46x34cm Florence,Galleria degli Uffizi
   
   
     
CRESPI, Giuseppe Maria The Scullery Maid oil painting


The Scullery Maid
mk65 Oil on canvas 22 7/16x16 15/16in
Painting ID::  28828 		CRESPI, Giuseppe Maria
The Scullery Maid
mk65 Oil on canvas 22 7/16x16 15/16in
   
   
     
CRESPI, Giuseppe Maria Self-Portrait oil painting


Self-Portrait
mk65 Oil on canvas 24x19 1/2"
Painting ID::  29286 		CRESPI, Giuseppe Maria
Self-Portrait
mk65 Oil on canvas 24x19 1/2"
   
   
     
CRESPI, Giuseppe Maria The Fair at Poggio a Caiano oil painting


The Fair at Poggio a Caiano
mk67 Oil on panel 45 15/16x77 5/16in Uffizi,Gallery
Painting ID::  29949 		CRESPI, Giuseppe Maria
The Fair at Poggio a Caiano
mk67 Oil on panel 45 15/16x77 5/16in Uffizi,Gallery
   
   
     
CRESPI, Giuseppe Maria The Flea oil painting


The Flea
mk67 Oil on panel 18 1/4x13 3/8in Uffizi,Gallery
Painting ID::  29950 		CRESPI, Giuseppe Maria
The Flea
mk67 Oil on panel 18 1/4x13 3/8in Uffizi,Gallery
   
   
     
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     CRESPI, Giuseppe Maria
     Italian Baroque Era Painter, 1665-1747 Painter, draughtsman and printmaker. His religious and mythological works are distinguished by a free brushstroke and a painterly manner. He also painted spirited genre scenes, which by their quality, content and quantity distinguish him as one of the first Italian painters of high standing to devote serious attention to the depiction of contemporary life. Such paintings as Woman Laundering (1700-05; St Petersburg, Hermitage) or Woman Washing Dishes (1720-25; Florence, Uffizi) offer straightforward glimpses of domestic chores in images that are startlingly novel for the period and look forward to the art of Jean-Simeon Chardin, Jean-Francois Millet and Honore Daumier.

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